Wat Kreun Kathin (วัดเกริ่นกฐิน)
Thai. ‘Temple
that heralds
kathin’, with
kathin being the name of a
tradition in which
laymen offer robes to monks. Name of a
countryside Buddhist temple complex in
the
Amphur
Ban Mih (บ้านหมี่)
of
Lopburi Province.
There is no record of in what year
the temple was built but it has been associated with the local
village for a long time. At the time when
Luang Pho
Phian Akkadhammo was the temple's
abbot, he named the then only revered
Buddha statue at the temple
Luang Pho Pahn
(หลวงพ่อปาน), for and in honour of an elderly
Khmer
kruh bah
ajaan,
i.e. a cleric
teacher,
from whom he had learned Buddhist magic spells. On
5 December 2005, on the occasion of the Birthday Anniversary of King
Bhumipon Adunyadet,
Luang Pho Phian was conferred the
honorary name and title of
Phra Kruh
Wimon Samanawat,
which means
‘Flawless Priest’
(fig.).
Today,
the temple is the residence of
famous Lopburi monks
and consists of three
sections. Firstly, there is the main temple area, which is home to
the
ubosot,
the
wihaan,
a golden
stupa
called
Chedi
Phrathat which enshrines
relics given by the
Supreme Patriarch,
and some other temple
buildings, as well as a nicely manicured garden and a pond with some
sala-style
shelters (open pavilions) and some solar powered
chai pattana aerators,
an invention ascribed to
King
Rama IX (fig.).
The garden surrounding the stupa is decorated with both large and
smaller statuettes that depict scenes, characters and animals from
Buddhism, nature, folklore and
mythology, such as warrior monkeys from the
Ramakien,
which are also found in the thematic lamp posts (fig.) throughout the temple
complex. One hall, named Wihaan
Phra Kruh Wimon Samanawat,
has a
separate room with the remains and a wax statue of this revered
monk, as well as
a small museum
with mostly
Buddha images,
statuettes and some
amulets (fig.)
of this revered monk, as well as talismans
blessed by him, including
miht moh
spirit knifes (fig.)
and
takrut (fig.).
In front of the outer wall of this hall, which has with multiple
roofs with so-called
ngao
or ‘hook’
antefixes
(fig.),
stand various
life-sized statues of Thai-Hindu deities on cloud pedestals, many
with typical
reusi
or
hermit-style headgear with a tiger fur pattern. Flanking this wihaan
on the north side is a gallery with three rooms that are open at the
front, each housing a one or more charms and characters of worship,
from east to west: the
‘angelic prince of creation’
Kumaan Thep Neramit (กุมารเทพเนรมิตร); the
‘108 great teachers and
paternal grandfather-hermits’
Boromma Kru Poo
Reusi
108 (บรมครูปู่ฤาษี
๑๐๘); and Mae S(r)oi
Manih/Mae Soi Manee (แม่สร้อยมณี), literally the
‘mothers of the ruby necklace’,
who typically wear and are offered traditional Thai dresses in various colours.
Adjacent to the south of
the main temple area is the second section of the complex which
consists of a large
well maintained park
that at its centre has the Phra Phut Kathanyu (พระพุทธกตัญญู)
statue, a Buddha statue standing in
the
pahng
tawaai naet
pose (fig.),
representing Sunday in the
Phra prajam wan
system (fig.).
The park also has some rock gardens and is in several places adorned
with edifices of animals and objects
related to Thailand and
Buddhism. It also has a large pond with fish and
chai pattana aerators,
and a
Chinese shrine built over the pond and dedicated to
Kuan Yin, the
Chinese goddess of
mercy who
in Thailand is known as
Phra Mae Kwan Im
(fig.).
The Park also has some office buildings and smaller pavilions, as
well as a
mondop with a statue of the
Hindu god
Brahma. The third section of the
temple complex is located to the east of the main temple area and
consists of a stone Khmer-style
prasat hin
tower and some other Khmer style edifices and Hindu statues made in
or carved from reddish and brown sandstone. This section also
includes a lake which has a naga-staircase, while in the
northeastern corner of the domain is another
prasat onto which
a large golden naga is entwined, reminiscent of a
scene from the
Bhuridatta Chadok
in which the Prince of the
Nagas is
depicted coiled
around a
termite mound
(fig.).
In front of this are the statues of
Chao Poo Sri Sutho,
a
nagaraat
depicted as a naga
in semi-human form (fig.)
and his consort
Chao Yah Sri Patum Mah Naki (fig.).
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